In which this isn't Champagne, it's holy water
Last night, I decided to stay home for New Year's Eve. Instead of going out and fighting the crowds for a swallow of cheap champagne at midnight, I carried a blanket and some good Champagne up on deck and sat under the stars, in the glow of the lights I'd run up the mast to lend a little holiday glow to the marina. Living on the biggest boat in the harbor, I see it as my duty to lead the way, spirit-wise, but avoid ostentation. My holiday decorations consisted of a tasteful string of white lights outlining the shape of sails, and then, atop the mast, a flashing sign reading THIS IS THE BIGGEST BOAT IN THE HARBOR. I thought about adding an exclamation point, but in the end, thought it smacked of the nouveau-riche.
Despite gale force winds, my New Year's Eve under the lights was peaceable. I had a pen and notepad with me, to enumerate perceived slights of the year past. I have a long memory. It's a long list, starting with the short-sighted bitch who failed to cast me as the lead in Showgirls, and ending with the owners of the top ten most irritating vanity license plates I see on my daily commute. Go ahead: call me petty. I'll just add you to the list. You can add me to yours--we'll call it even.
I won't lie--it got a little lonely around 8:45, so I started calling friends and family on the East Coast. In retrospect, that wasn't such a good idea. I mean well, but my conversation always comes back around to Showgirls.
The thing is, it's totally unfair that I was passed over for that role. Did you see my audition tape? What am I saying? Of course you didn't. It was genius, and all my idea to deviate from the script and perform a monologue of my own creation.
"I'm tough but fair, and I dance like a demon, a DEMON, do you hear that, Mister Show Director?" That was my opening line. I felt it was smart to open strong, with a lot of hand gestures and fringe. "A DEEEEMON!" And then the dance I created to the tune of "Street Life" --I wasn't able to find a recording of the song, but I think my singing only added to the power of my performance.
Street life! It's the only life I know [kick, ball, turn]
Street life... yadda dada dada know [clap!]
Street life! [turn] For a nickel, for a dime [swivel]
Street life! And you always have the time [splits]
Street life! [Jazz hands, big finish!]
It was genius. A little slice of heaven. Like a genius demon with glittery horns I made myself from empty toilet paper rolls.
And yet, they failed to cast me in favor of Elizabeth Berkeley, who dances like a praying mantis with an unchecked mood disorder. Oh, sure, I watched the film. I watch it every year at New Year's time, pacing around my boat in a g-string and false eyelashes, re-imagining the glorious scenes from "Goddess," the fictitious dance revue that Elizabeth Berkeley's character joins and eventually dominates. I don't want to brag on myself, but my version? It's so much better. It takes place not at the foot of a volcano, as in the movie, but at sea, on a beautiful, giant yacht with the words �THIS IS THE BIGGEST YACHT IN THE SEA� spelled out in white lights atop the mizzenmast. The stars of this revue are Sea Goddess (played by me) and King Poseidon (played by Johnny Depp, in his first all-dancing role) and several nymphs, let�s say thirty or forty of them. I have cut out most of the pointless lap-dancing scenes in favor of baton-twirling, which I excel at, and making-out with my co-star, which I also excel at.
It is a beautiful story, and I dream of filming it and finding international distribution and, shortly thereafter, worldwide fame.
Just a little dream for the new year. May your dreams be as beautiful.
Star of the day. . .Loni Anderson